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<< < Page 17
of 97
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Banff Springs Hotel
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The Banff Springs Hotel is a former railway hotel constructed in Scottish Baronial style located in Banff National Park, Alberta, Canada. The original hotel, designed by American architect Bruce Price, was built between 1888 by the Canadian Pacific Railway, at the instigation of its President, William Cornelius Van Horne. Starting in 1911, a wholly new hotel was built in stages to replace the 1888 structure. The new hotel was designed by another American architect, Walter S. Painter. Compared with Price's Shingle style-influenced wooden structure, Painter's new hotel was built of concrete and faced with stone.
Price's hotel was quite different from the present Banff Springs Hotel. Variously termed a "Tudor hall" or a "Swiss chalet", the hotel was clad in shingles with stone accents, and featured a profusion of dormers, turrets, and rooflines. The 1888 hotel cost $250,000. However, a mistake by the builder changed the hotel's orientation so that it turned its back on the mountain view. This hotel included more than 100 bedrooms, centered on a five story, octagonal rotunda. An addition in 1902 expanded and renovated the hotel, adding more than 200 rooms. Further additions followed.
By 1906, plans were advanced for a complete overhaul of the Banff Springs, replacing much of the original structure. Walter Painter, chief architect for the Canadian Pacific, designed an eleven-storey central tower in concrete and stone, flanked by two wings. The so-called "Painter Tower", this time correctly oriented to the view, was completed in 1914 at a cost of $2 million with 300 guest rooms, was for a time the tallest building in Canada. Construction of the new wings was delayed by World War I, and the surviving Price wings continued in service. Two new wings, this time designed by architect J.W. Orrock, opened in 1928. Orrock, using the style originated by Painter, greatly expanded the Painter Tower, altering its roofline, and adding his own massive additions. In 1926, while work was proceeding on the new wings, a fire destroyed the remainder of the original Price hotel.
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http://www.fairmont.com/banffsprings/
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by Nathan Krämer
on 3/5/2012
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American Association of Museums
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The American Association of Museums has been bringing museums together since 1906, helping to develop standards and best practices, gathering and sharing knowledge, and providing advocacy on issues of concern to the entire museum community. We are dedicated to ensuring that museums remain a vital part of the American landscape, connecting people with the greatest achievements of the human experience, past, present and future.
AAM is the only organization representing the entire scope of museums and professionals and nonpaid staff who work for and with museums. We currently represent more than 18,000 individual museum professionals and volunteers, almost 3,000 institutions, and 250 corporate members. Individual members span the range of museum occupations, including directors, curators, registrars, educators, exhibit designers, public relations officers, development officers, security managers, trustees and volunteers.
Every type of museum is represented including art, history, science, military and maritime, and youth museums, as well as aquariums, zoos, botanical gardens, arboretums, historic sites, and science and technology centers.
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by Nathan Krämer
on 3/2/2012
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by Nathan Krämer
on 3/2/2012
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William L. Sullivan
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from the Affirmation. Church service 26 Feb 2012
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To outgrow the past but not to extinguish it;
To be progressive but not raw,
Free but not mad, critical but not sterile, expectant but not deluded;
To be scientific but not to live on formulas that cut us off from life;
To hear amidst clamour the pure, deep tones of the spirit;
To seek the wisdom that liberates and a loyalty that consecrates;
To turn both prosperity and adversity into servants of character;
To master circumstances by the power of principle,
And to conquer death by the splendour of loving trust:
This is to attain peace,
This is to invest the lowliest life with magnificence.
by William L. Sullivan
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by Nathan Krämer
on 2/28/2012
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by Nathan Krämer
on 2/6/2012
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North European 'potash' glass - Roemers Wine Glasses
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Website from the Museum of London early showing 'roemers', a type of tall drinking-glass with a cylindrical body decorated with glass 'blobs' ('prunts'), which was popular in the Low Countries and Germany; other beakers and drinking-glasses in greenish-clear glass; miscellaneous green-glass vessels, and artefacts such as linen-smoothers.
Glass of this type is often termed 'forest glass', because it was produced in rural north European glasshouses, near supplies of wood and other raw materials. One of its primary ingredients was 'potash', a substance obtained from plants such as bracken. This produced a distinctive greenish tint. Potash glass cooled rapidly, making it primarily suitable for plainer, utilitarian shapes.
The Museum has few 'roemers'. However, it has a useful collection of 16th- and 17th-century drinking-glasses, complementing those of similar date made in the 'Venetian style'. For bottles of all kinds, see the Bottles section; for pre-1500 'forest glass', see the Medieval section.
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by Nathan Krämer
on 2/6/2012
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on 2/6/2012
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on 2/6/2012
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on 2/6/2012
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on 2/6/2012
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